Play Along Piano

Tags

chorus

Stephen Foster Hard Times Come Again No More

Sam Pflugrath

5:10	Est. Play Time
49	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	20	17	1	4	91%
	19	4	2	3	90%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	20	17	1	4	91%
	19	4	2	3	90%
Voice	8	0	1	6	58%
Alto	7	0	1	6	19%
Bass	4	0	0	6	19%
Soprano	8	0	1	6	19%
Tenor	5	0	1	6	19%

J. Hoffenbach, Les contes d'Hoffmann: Couplets bachiques

Mélisande

3:08	Est. Play Time
69	Measures
	1,180Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	30	37	8	7	100%
	31	43	8	3	100%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	30	37	8	7	100%
	31	43	8	3	100%
Hoffmann	14	0	3	6	75%
B	10	2	1	3	25%
T	11	10	2	3	25%
S	11	5	1	3	24%

Chiquilin de Bachin (Coro para Voces, Cuerdas y Vientos)

Daljin

4:01	Est. Play Time
111	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	17	0	5	5	95%
Soprano	15	0	5	5	84%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	17	0	5	5	95%
Soprano	15	0	5	5	84%
Bass	17	8	5	5	75%
Alto	18	9	6	5	63%
Tenor	18	4	5	5	58%
Violoncello I	16	3	2	3	36%
Flute I	18	0	5	5	33%
Violoncello II	10	4	1	5	25%
Oboe	11	0	1	5	18%
Flute II	16	0	6	4	15%
English Horn	5	0	0	3	11%

May Love Preside

singthewords

1:39	Est. Play Time
52	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	17	10	3	9	99%
	17	1	1	6	100%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	17	10	3	9	99%
	17	1	1	6	100%
Flute	13	0	2	10	94%
Soprano	14	14	2	8	78%
Alto	13	15	2	8	75%

Messiah| No.46 Since By Man Came Death

Pete Alan

1:43	Est. Play Time
37	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	9	0	2	5	92%
Bass	15	0	3	5	92%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	9	0	2	5	92%
Bass	15	0	3	5	92%
Soprano	12	0	3	5	92%
Tenor	10	0	1	6	92%
Continuo	23	36	5	4	70%
	21	39	4	4	72%
Fagott, Bassoon	16	0	2	3	68%
Violins, Viola	13	0	1	3	68%
Violins, Violin I	13	0	3	5	68%
Violins, Violin II	13	0	2	3	68%
Violoncellos, Cello	16	0	2	3	68%
Oboe, Oboe	10	0	2	4	59%

Messiah| No.21: His Yoke is Easy

Pete Alan

2:33	Est. Play Time
51	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Kontrabas	23	0	6	8	100%
Soprano	17	0	5	10	86%
View all 8 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Kontrabas	23	6	8	100%
Soprano	17	5	10	86%
Bass	13	2	10	80%
Tenor	13	4	9	78%
Violin I	21	5	9	78%
Violin II	20	5	10	78%
Viola	17	3	8	76%
Alto	11	2	10	73%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 11/16 Acte 2 : Coro « Bravo Dulcamara » - BASSE

Papibois

1:06	Est. Play Time
44	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	20	23	5	6	88%
	22	21	4	6	88%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	20	23	5	6	88%
	22	21	4	6	88%
Basse	9	0	4	3	64%
Tenor 1	9	0	2	3	64%
Tenor 2	9	0	2	3	64%
Soprano 1	8	0	1	2	60%
Soprano 2	7	0	1	2	60%
Dulcamara	12	0	4	4	57%
Adina	7	0	1	3	43%
Belcore	6	0	1	3	14%

Gounod, Messe aux chapelles: Agnus Dei

Mélisande

1:38	Est. Play Time
50	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	16	14	2	4	100%
	15	8	2	3	99%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	16	14	2	4	100%
	15	8	2	3	99%
B	12	4	1	5	86%
T	12	4	1	5	86%
A	11	0	2	5	67%
S	11	0	1	5	67%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 7/16 Acte 1 : Coro Scena 5 : È verissimo

Papibois

4:08	Est. Play Time
159	Measures
	1,169Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	24	37	5	4	93%
	20	14	1	3	98%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	24	37	5	4	93%
	20	14	1	3	98%
Dulcamara	11	0	1	3	69%
Soprano 1	11	0	2	3	54%
Basse	12	0	1	3	54%
Soprano 2	12	0	2	3	54%
Ténor 1	11	0	2	3	54%
Ténor 2	10	0	2	3	54%

The Degradation of the Chorus

Jesse David Sykes

4:13	Est. Play Time
119	Measures
	2,721Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	32	29	8	6	62%
	19	13	5	4	63%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	32	29	8	6	62%
	19	13	5	4	63%
Bass	16	10	3	12	85%
Tenor	13	9	2	11	80%
Alto	11	0	1	10	79%
Soprano	19	2	3	9	78%

There's a Wideness in God's Mercy

Marco5

0:16	Est. Play Time
8	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		13	12	2	3	100%
		13	15	2	3	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		13	12	2	3	100%
		13	15	2	3	100%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 11/16 Acte 2 : Coro « Bravo Dulcamara » -SOPRANO 1

Papibois

1:06	Est. Play Time
44	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	20	23	5	6	88%
	22	21	4	6	88%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	20	23	5	6	88%
	22	21	4	6	88%
Basse	9	0	4	3	64%
Tenor 1	9	0	2	3	64%
Tenor 2	9	0	2	3	64%
Soprano 1	8	0	1	2	60%
Soprano 2	7	0	1	2	60%
Dulcamara	12	0	4	4	57%
Adina	7	0	1	3	43%
Belcore	6	0	1	3	14%